While the plethora of Bhagat Singh biopics might seem commonplace, Guddu Dhanoa’s take on the revolutionary’s life offers a unique intensity. It distinguishes itself from Raj Kumar Santoshi’s ‘The Legend Of Bhagat Singh,’ yet possesses an equally compelling vitality. The narrative, while sometimes veering into bombastic rhetoric, captures the spirit of patriotic fervor. The courtroom scenes, though bordering on the farcical, and the extended jail sequences may test the viewer’s patience. However, the film’s strength lies in its uninhibited depiction of the tumultuous era. The vibrant colors of the Punjab landscape beautifully evoke a time when love for the nation surpassed all else. Aishwarya Rai’s presence, though seemingly out of sync, inadvertently highlights Dhanoa’s passionate ode to patriotism. The film benefits from a skilled crew, with impressive crowd scenes and a visually stunning portrayal of historical events. Cinematographer Thiru’s work is particularly noteworthy, using light and shadow to great effect. While the music may not rival A.R. Rahman’s, it resonates with a raw emotionality. The narrative highlights key relationships in Bhagat Singh’s life, including his bond with Lala Lajpat Rai and his mother. Bobby Deol’s portrayal of Bhagat Singh is a revelation, capturing the character’s warmth and energy. This film, unlike some others, chooses to focus on Bhagat Singh’s heroism rather than criticizing other leaders of the Quit India movement. The film, compared to Raj Santoshi’s film, is the Gadar of 2002. Sunny Deol, expressing his support, discussed his vision for the project, emphasizing its authenticity and Bobby Deol’s suitability for the role. The film also faced setbacks, including a major fire on the sets, but the team persevered, driven by their dedication to the story.
