Vivek Agnihotri’s ‘The Bengal Files’ is a compelling cinematic work that fearlessly confronts a largely ignored chapter of Indian history. The film delves into the brutal realities of the communal violence in Bengal, particularly the events surrounding Direct Action Day in 1946, and doesn’t shy away from portraying the Hindu victims of the carnage. The narrative unfolds across two time periods, pre- and post-Partition, connected by a genocide survivor, highlighting the enduring nature of political manipulation and communal divisions. The film’s sharp writing probes historical wounds, questioning the legacies of those who shaped modern India. The film is well-shot, and the performances are noteworthy, particularly Darshan Kumar’s portrayal of a young Kashmiri Pandit cop. Although some dramatic interludes may be overdone, the film’s core message remains powerful.
