Dismissing Khalid Mohamed’s ‘Silsilay’ would be a disservice to its artistic merit. This film marks Mohamed’s evolution as a storyteller. It delves into the complexities of love and relationships, focusing on the lives of several compelling women. The film skillfully blends contemporary and traditional values, enriched by cinematic elements like music and dance. Despite any perceived shortcomings in his previous works like ‘Fiza’ and ‘Tehzeeb’, ‘Silsilay’ showcases Mohamed’s growth, offering a complete and polished narrative. The characters feel authentic yet cinematic, with each woman portrayed as a unique creation, with Tabu and Divya Dutta delivering particularly memorable performances. The dialogue is exceptionally expressive. The narrative, exploring the nuances of human connections, is layered with multiple storylines. One highlights Bhumika Chawla’s transformation as an actress. The desensitization of femininity is a recurring theme, especially in Tabu’s portrayal of a wife. While the middle story may appear less compelling, the film’s cinematography and the evocative performances of the cast create a cohesive experience. Tabu’s presence alone elevates the film, while Bhumika Chawla delivers a standout performance. Despite the male characters being somewhat caricatured, the film’s overall impact remains strong, complemented by Shah Rukh Khan’s narration. Mohamed’s insights into filmmaking offer a glimpse into the creative process.
