While considering films for colorization and re-release from B.R. Chopra’s extensive filmography, ‘Sadhana’ emerges as a strong contender, particularly for its exploration of social issues concerning a prostitute’s rehabilitation. ‘Naya Daur,’ celebrating its 68th anniversary, similarly delves into complex themes, though its presentation, with lively songs and dances orchestrated by O.P. Nayyar, might seem dated now. The film, released six decades ago, examined the impact of rural industrialization, portraying a utopian village with traditional values. Chopra’s storytelling prowess is evident in the intricate character interactions that transition from individual to societal relevance. Though the central theme seems to lean towards a romantic triangle, the chemistry between Dilip Kumar, Vyjayanthimala, and Ajit remains captivating. The fiery exchanges, enhanced by Akhtar Mirza and Kamil Rashid’s memorable dialogues, continue to resonate. Dilip Kumar’s portrayal in the film, particularly his iconic dhoti-clad tonga ride, showcases his versatility, while Vyjayanthimala’s expressions add depth to the narrative.
