The film, ‘Materialists,’ presents Dakota Johnson in a role, Lucy Mason, a high-profile matchmaker with a complex character. Lucy, akin to a millennial Jane Austen heroine, grapples with inner turmoil. The narrative questions Lucy’s choices in pairing clients, leading to widespread dissatisfaction among both the women and men she serves, as well as herself. The movie depicts the lives of the wealthy, showcasing their pursuit of companionship through extravagant means, yet the film’s impact is diminished by its unnatural dialogue. The pauses are extended, and the laughter feels rehearsed. The film, which seemingly aims for awards recognition, struggles to achieve genuine spontaneity. The cast members appear to lack the necessary spontaneity. Johnson’s portrayal of Lucy is affected by a lack of authentic content, and the film’s narrative struggles to find brightness. The introduction of Harry, portrayed as the perfect man, with wealth, confidence, attractiveness, and wit, adds an element of intrigue. However, a key plot point involving Harry’s secret—surgically extended legs—introduces a sense of the ridiculous. The film falls short in delivering humor and emotional depth. The character of John, played by Chris Evans, further exemplifies the film’s shortcomings. The men lack pride and self-respect. The film, overall, lacks significant highlights. It progresses monotonously, with only one truly compelling character, Sophie, a dating client seeking genuine love. The attractive cast raises expectations for a successful rom-com, leaving the audience wanting more.
