Honey Trehan’s ‘Punjab 95’ emerges as a powerful cinematic statement, delving into the consequences of unchecked governmental authority. The film meticulously chronicles the human cost of police overreach, drawing parallels to historical tragedies while maintaining a focus on the human rights activist Jaswant Singh Khalra, played by Diljit Dosanjh. The narrative, punctuated by Sreekar Prasad’s masterful editing, avoids sensationalism, instead offering a stark portrayal of loss and resilience. Suvinder Vicky delivers a chilling performance as a rogue cop, embodying the film’s central theme of power’s corrupting influence. The film’s technical aspects, particularly K U Mohnan’s cinematography, enhance the viewing experience.
